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Sheet Music Digital - Music For All Ages!
Musical Periods Middle Ages Rena
Musical Periods
Middle Ages
Renaissance
Baroque
Classical
Romantic
20th Century
Composers Of
The Baroque Period
Dario Castello
(15?? - 16??)
Abundio Antonelli
(15?? - 1629)
Juan Aranés
(15?? - c1649)
Giulio Caccini
(c1545 - 1618)
Paolo Quagliati
(c1555 - 1628)
Adriano Banchieri
(c1557 - 1634)
Giovanni Bassano
(c1558 - 1617)
Felice Anerio
(c1560 - 1614)
Giovanni Bernardino
Nanino
(c.1560 - 1623)
Hieronymus Praetorius
(1560 - 1629)
Jacopo Peri
(1561 - 1633)
Jan Pieterszoon
Sweelinck
(1562 - 1621)
John Bull
(c1562 - 1628)
Hans Leo Hassler
(1562 - 1612)
John Dowland
(1563 - 1626)
Jean Titelouze
(1563 - 1633)
Lodovico Grossi
da Viadana
(1564 - 1627)
Thomas Campion
(1567 - 1620)
Giovanni Francesco
Anerio
(1567 - 1630)
Christoph Demantius
(1567 - 1643)
Claudio Monteverdi
(1567 - 1643)
Bartolomeo Barbarino
(c1568 - 1617 or later)
Salamone Rossi
(1570 - c1630)
Michael Praetorius
(c1571 - 1621)
Thomas Tomkins
(1572 - 1656)
Juan Pujol
(c1573 - 1626)
John Wilbye
(1574 - 1638)
Francisco Correa
de Arauxo
(c1575 - after 1633)
Ignazio Donati
(c1575 - 1638)
Matheo Romero
(c1575 - 1647)
Alessandro Grandi
(c1575 - 1630)
Thomas Weelkes
(1576 - 1623)
Agostino Agazzari
(1578 - 1640)
Melchior Franck
(1579 - 1639)
Jacques Cordier
(c1580 - before 1655)
Thomas Ford
(c1580 - 1648)
Sigismondo d'India
(c1582 - 1629)
Gregorio Allegri
(1582 - 1652)
Severo Bonini
(1582 - 1663)
Marco da Gagliano
(1582 - 1643)
Orlando Gibbons
(1583 - 1625)
Paolo Agostino
(Agostini)
(c1583 - 1629)
Robert Johnson
(c1583 - 1633)
Girolamo Frescobaldi
(1583 - 1643)
Antonio Cifra
(1584 - 1629)
Heinrich Schütz
(1585 - 1672)
Stefano Landi
(1586 or 1587 - 1639)
Johann Schein
(1586 - 1630)
Antoine Boësset
(1586 - 1643)
Francesca Caccini
(1587 - c1640)
Samuel Scheidt
(1587 - 1654)
Johann Andreas
Herbst
(1588 - 1666)
John Jenkins
(1592-1678)
Tarquinio Merula
(c1594 - 1665)
Giovanni Battista
Buonamente
(1595 - 1642)
Heinrich Scheidemann
(c1595-1663)
Biagio Marini
(c1595 - 1665)
Henry Lawes
(1596 - 1662)
Luigi Rossi
(1597 - 1653)
Johann Crüger
(1598 - 1662)
Thomas Selle
(1599 - 1663)
Friedrich Klingenberg
(16?? - 17??)
Giovanni Battista
Fasolo (c1600 - 1664)
Jacques Champion
Chambonnières
(1601 or 1602 - 1672)
William Lawes
(1602 - 1645)
Pietro Francesco
Cavalli
(1602 - 1676)
Caspar Kittel
(1603 - 1639)
Marco Uccellini
(1603 - 1680)
Francesco Foggia
(1604 - 1688)
Charles d'Assoucy
(1605 - 1670)
Giacomo Carissimi
(1605 - 1674)
Michel Lambert
(1610 - 1696)
Andreas Hammerschmidt
(1611 or 1612 - 1675)
Franz Tunder
(1614 - 1667)
Carlo Caproli
(c1615 - c1692)
Johann Jakob Froberger
(1616 - 1667)
Matthias Weckmann
(c1616 - 1674)
Barbara Strozzi
(1619 - 1677)
Juan García de Zéspedes
(1619 - 1678)
Johann Rosenmüller
(1619 - 1683)
Johann Heinrich Schmelzer
(c1620 - 1680)
Matthew Locke
(c1621 - 1677)
Dietrich Becker
(1623 - 1679)
Antonio Cesti
(1623 - 1669)
François Roberday
(1624 - 1680)
Louis Couperin
(c1626 - 1661)
Robert Cambert
(c1627 - 1677)
Nicolas Gigault
(1627 - 1680)
Johann Caspar Kerll
(1627 - 1693)
Jean Henri d'Anglebert
(1628 - 1691)
Christoph Bernhard
(1628 - 1692)
Paul Hainlein
(1628 - 1686)
Nicolas Antoine Lebègue
(1630 - 1702)
M. de Sainte-Colombe
(c1630 - c1700)
Jean-Baptiste Lully
(1632 - 1687)
Guillaume-Gabriel Nivers
(1632 - 1714)
Johann Wilhelm Furchheim
(c.1635 - 1682)
Pietro Simone Agostini
(c.1635 - 1680)
Dietrich Buxtehude
(1637 - 1707)
Johann Christoph Pezel
(1639 - 1694)
Gaspar Sanz
(1640 - c1710)
Paolo Lorenzani
(1640 - 1713)
André Raison
(c1640 - 1719)
Johann Christoph Bach
(1642 - 1703)
Marc-Antoine Charpentier
(c1643 - 1704)
Heinrich Ignaz Franz von Biber
(1644 - 1704)
Alessandro Stradella
(1644 - 1682)
Christian Ritter
(c1645 - c1725)
Juan de Araujo
(1646 - 1712)
René Pignon Descoteaux
(c1646 - 1728)
John Blow
(1649 - 1708)
Pascal Collasse
(1649 - 1709)
Christian Geist
(c1650 - 1711)
Johann Jacob Walther
(1650 - 1717)
Cataldo Amodei
(1650 - 1695)
Domenico Gabrielli
(1651 - 1690)
Johann Krieger
(1651 - 1735)
Johann Pachelbel
(1653 - 1706)
Georg Muffat
(1653 - 1704)
Arcangelo Corelli
(1653-1713)
Vincent Lübeck
(1654 - 1740)
Robert de Visée
(1655 - 1732)
Johann Paul von Westoff
(1656 - 1705)
Marin Marais
(1656 - 1728)
Georg Reutter
(1656 - 1738)
Gaetano Greco
(c.1657 - c.1728)
Michel-Richard de Lalande
(1657 - 1726)
Giuseppe Torelli
(1658 - 1709)
Henry Purcell
(1659? - 1695)
Alessandro Scarlatti (1660-1725)
André Campra
(1660 - 1744)
Johann Joseph Fux (1660 - 1741)
Georg Böhm
(1661 - 1733)
Friedrich Wilhelm Zachau
(1663 - 1712)
Pirro Capacelli Albergati (1663 - 1735)
Johann Speth
(1664 - after 1719)
Louis Lully
(1664 - 1734)
Nicolaus Bruhns
(1665 - 1697)
Johann Nicolaus Hanff (1665 - c1712)
Attilio Ariosti
(1666 - 1729?)
Johann Heinrich Buttstedt (1666 - 1727)
Jean-Féry Rebel
(1666 - 1747)
Jean-Louis Lully
(1667 - 1688)
Michel Pignolet de Montéclair
(1667 - 1737)
Antonio Lotti
(c1667 - 1740)
François Couperin (1668 - 1733)
Francesco Gasparini (1661 - 1727)
Louis Marchand
(1669 - 1732)
Alessandro Marcello (1669 - 1747)
Andreas Armsdorff (1670 - 1699)
Johann Kaspar Ferdinand Fischer (c1670 - 1746)
Giovanni Bononcini (1670 - 1747)
Antonio Caldara
(1670 - 1736)
Richard Leveridge (c1670 - 1758)
Nicolas de Grigny
(1672 - 1703)
Tomaso Albinoni
(1671 - 1751) or (1674 - 1745)
Jeremiah Clarke
(1674 - 1707)
Reinhard Keiser
(1674 - 1739)
Pierre Dumage
(1674 - 1751)
Michel de la Barre
(1675 - 1743)
Johann Bernhard Bach (1676 - 1749)
Louis Nicolas Clerambault
(1676 - 1749)
Antonio Vivaldi
(1678-1741)
Jan Dismas Zelenka (1679 - 1745)
Giuseppe Fedeli aka Joseph Saggione (c1680 - c1745)
Louis-Antoine Dornel (c1680 - after 1756)
Jacques Hotteterre (1680 - 1761)
Johann Mattheson (1681 - 1764)
Georg Philipp Telemann
(1681-1767)
Johann David Heinichen
(1683 - 1729)
Jean Philippe Rameau (1683 - 1764)
Johann Gottfried Walther
(1684 - 1748)
Johann Sebastian Bach (1685 - 1750)
Domenico Scarlatti (1685 - 1757)
George Frideric Handel (1685 - 1759)
William Hieronymous Pachelbel
(1685 - 1764)
Benedetto Marcello (1686 - 1739)
Sylvius Leopold Weiss (1686 - 1750)
Nicola Porpora
(1686 - 1768)
Francesco Geminiani (1687 - 1762)
Fortunato Chelleri
(1688 - 1757)
Jacques Aubert
(1689 - 1753)
Joseph Bodin de Boismortier
(1689 - 1755)
Jacques-Christophe Naudot
(c1690 - 1762)
Pierre-Gabriel Buffardin (1690 - 1768)
Gottlieb Muffat
(1690 - 1770)
Giuseppe Tartini
(1692 - 1770)
Pietro Locatelli
(1693 - 1764)
Louis-Claude Daquin (1694 - 1772)
Johan Helmich Roman (1694 - 1758)
Giuseppe Sammartini (1695 - 1750)
Maurice Greene
(1696 - 1755)
Johann Joachim Quantz (1697 - 1773)
Jean-Marie Leclair
(1697 - 1764)
Riccardo Broschi
(1698 - 1756)
Johann Adolph Hasse (1699 - 1783)
Benoit Guillemant
(? - 17??)
Gottfried Lindemann
(? - 17??)
Jean-Baptiste Masse (c1700 - c1756)
Michel Blavet
(1700 - 1768)
Johan Agrell
(1701 - 1765)
Giovanni Battista Sammartini
(1701 - 1775)
Johann Ernst Eberlin (1702 - 1762)
Johann Gottlieb Graun (c1702-1771)
Carl Heinrich Graun (c1703-1759)
Giovanni Battista Pescetti
(c1704 - c1766)
Antonio Domenico Viraldini
(1705 - 1741)
Baldassare Galuppi (1706 - 1785)
Georg Reutter
(1708 - 1772)
Michel Corrette
(1709 - 1795)
Giovanni Battista Pergolesi
(1710 - 1736)
Domenico Alberti
(1710 - 1740)
Thomas Arne
(1710 - 1778)
William Boyce
(1711 - 1779)
Baroque Period 1600 - 1750
Artists Of The Baroque Era
Prominent Composers
of the
Baroque Period
Johann Sebastian Bach
Antonio
Vivaldi
Description
Baroque means highly decorated. Baroque music
is splendid, dressed up, and full of confidence.
It is also very complicated. It has
overlapping melodies, trills, and runs that decorate
the music like flowers on a birthday cake.
Opera appeared during this period. Opera is a
singing play, like a musical. Opera singers had to learn how
to sing very loud because there was no way back then to amplify
their voice. One famous opera singer defined opera as a
controlled scream.
There was a greater interest in instrumental music.
Two popular keyboard instruments of the day were the organ and
harpsichord. The violin was the queen of instruments during
this time. During the Renaissance instrumental music was
written for dances. Now instrumental music was written for its
own sake.
This was also the beginning of the orchestra.
Families of instruments began to appear during this time.
Composers would assign musical parts to certain instruments.
Composers would also use words to tell the musicians how to play the
music. Many of the musical forms that were used during this
time are still used today.
The composer's job was to make the music emotional.
Feelings like joy and pain were represented by musical themes called
motives.
Baroque music is polyphonic (many voices of equal
importance), giving music of this period a thick texture.
Music of this time is very emotional and expressive, too.
Counterpoint was used a lot during this period and
combines two or more lines of equal importance in a composition.
Counterpoint and polyphony are similar terms, but counterpoint is
usually used to describe music of the Baroque period. Listen
to
Invention No. 8 by Bach to hear two voices of equal importance.
The main elements of Baroque music are a strong
rhythm, terraced dynamics (passages of loud music followed by soft
music), and improvisation. Improvisation means to make
up the music as you go along.
Art and music were supported by the nobility--kings
and queens and dukes-- and the Catholic Church. People who
supported musicians were called patrons.
My Sheet Music - Musical Eras